I’ve written about neutral gardens and those inspired by the Belgian Beige movement and right now I’m into white. Maybe I’m attracted to it for external reasons-because summer is almost at an end and knowing the bit about white only being worn between Memorial and Labor Days. There are warm nights still and white still intrigues me…it’s also an excellent partner with green. There is a lot written about white gardens from a planting perspective, but not much about the rest. This is about the rest.
We know that white can make a dark space seem lighter. It can also add drama to an otherwise lackluster space. Washable materials make this color easy to use outside, fading isn’t an issue obviously.
Simple and geometric this patio is surrounded by green and is restful and stylish. In fashion, winter is also a time for ‘Winter Whites’, but it would be a simple thing to switch this fabric seasonally if white appears too summery outside.
White can be simple and rustic, and is an easy partner with other neutrals. It can work in just about any style of garden. Beyond the classic white fence, white can be carried through in accessories of all kinds on just about any style of patio or deck.
Just like any other color, there are many variations of white. Sample of colors as well as what will be adjacent them are important and especially before choosing a white. White will reflect what’s around it and even the original hue can be pink or blue based yet look like a stark white unless it is placed in context.
I’ll be back on the flip side of Labor Day…wearing white of course!
The term bistro table has been co-oped in landscape design to mean any small table with two chairs. So I thought I’d go back to the source and play with the idea of using a classic French bistro as inspiration for an outdoor space. I’m not saying that I’ll actually do this, although I love some of the details.
Let’s break it down. There are some key elements…
A blackboard. Menus are usually posted on some variation of these.
There is exterior chalkboard paint. Frame out an area of a wall and use it for a garden to do list or party menu. Chalk boards don’t have to be just for kids outside.
Then add some cool rattan chairs. I love these chairs. Ever since I lived in France in my twenties they have been personal favorites. There are so many patterns, colors and styles available it’s hard to choose.
Or maybe a bench. This could be a super interesting garden bench on its own. There are also highchairs for toddlers, bar stoools and side tables in this traditional rattan style.
Absolutely add some pots of geraniums and lace curtains. The curtains could be hung from a pergola or as a shade element of some kind instead of being in the window. I have a garage window that could use some of these actually.
And then there’s the Bistro table. Typically these have cast iron bottoms with smallish easy to clean round tops.
I might personalize it with color…these are from TK Collections. Combine the blue base with the blue rattan chairs above for a strong color statement.Now where’s that espresso and a pain au chocolate?
Twelve years ago I built a garden on what was a deer path in my narrow side yard. Why? To experiment with plants primarily for deer resistance, but also to know and grow new plants for my landscape designs. I don’t generally plant things for clients that I haven’t grown. That means this garden as well as my others are in a constant state of upheaval and change. The side yard gets almost totally replanted every three to five years; the others which are more public get things tucked in or dug up.
This is a replanting year for the side yard. Many of the previous plant experiments have been removed. Some of the structural plants or things that I’m attached to for whatever emotional tug they have on me remain. The space was better designed and built out of entirely found materials when I started it (below), now it’s somewhat of a hodgepodge with a nod to design.
The garden faces south and has hot sun in the middle of the day with shade on each end as well damp areas and those that are dry so it suits a wide range of situations. The soil has been amended in the same way I would have a garden prepared anywhere–with rich organic matter and not much else.
Here are the 5 I’m most excited about from a much more extensive planting list.
Aesculus parvivlora var. serotina ‘Rogers’ – I’ve wanted to grow this for years. It’s a tough sell to a client though since they usually look like they’re defective in containers in the nursery. This is a plant for someone with patience…I have that!
Bouteloua gracillis ‘Blonde Ambition’ -I don’t have a good image from the plants I bought because it looks crappy in the container right now, but I have high hopes for this one. I love it’s airy qualtiy and that’s hard to find in a small ornamental grass. Here’s a link.
Helenium x ‘Ruby Tuesday’ – I’ve killed more Heleniums than I have previously admitted to, but I keep trying…
Hypericum x ‘Blue Velvet’ – much finer foliage than its cousins. Grey blue too. I’ve had great success with every Hypericum I’ve grown and use the groundcover Hypericum calycinum often. It’s a fantastic and showy semi-evergreen groundcover for a south facing slope which in my mind is akin to planting Hell.
Stachys monieri ‘Hummelo’ (also known as Stachys alpina ‘Hummelo’) – I’m finally getting around to a plant that everyone raves about–it’s not blooming right now but has very beautiful foliage. We’ll see if it makes the appetizer tray in Bambi’s buffet!
So in a couple of seasons I’ll let you know what’s been eaten at this buffet since you’ll see them in future designs if they hold up. In the meantime I’m going to try some in client’s gardens that have sturdy deer fences!
I have another trip planned for the end of September to another place I’ve never been–Atlanta. I want to see some private gardens as well as the Atlanta Botanical Garden, the High Museum of Art and eat at some local restaurants I’ve wanted to try. Those aren’t the only reasons I’m going though.
I’ll also get to hear some amazing speakers and learn more about content sharing while I’m there. For the past six months I’ve been a working member of the Advisory Board for the Garden Blogger’s Conference and have helped behind the scene to find and contact speakers, sponsors and define its content.
Why? Because I believe that landscape and garden design bloggers need to up their games. Landscape designers who blog are few and far between. We need to play in the same arena as other design disciplines–interior design, architecture, graphic design and others. To do that we need more beautiful and informative design blogs about what we do outside. There are very few great garden design blogs and tons of awful ones. There I said it.
So since I am on the board and if this sounds interesting, take advantage of this discount on registration until August 30th. Click here and use the code BDCN to get $100 off and meet up with me in Atlanta.
P.S. I don’t get anything from the offer. Just a chance to learn something new and useful from everyone who attends and speaks!
One of the great garden shops in the United States is in Detroit. Yes. that much maligned and blight filled city has an big upside. Part of that upside is Detroit Garden Works. I’ve wanted to visit for years, and had the chance when I was in Detroit with APLD last week.
Carefully chosen new, vintage and antique products from all over the world are merchandised in a way that makes each one seem precious and necessary.
Classic in its outlook, Detroit Garden Works is the brainchild of landscape designer Deborah Silver who originally started the shop eighteen years ago because she couldn’t source what she wanted locally. Map in hand, the store’s manager and buyer Rob Yedinak, drives through Europe annually to handpick new and vintage offerings.
There is a wide array of accessories and furniture to really suit any garden style even though the shop has a traditional feel. Terra cotta, steel, stone and concrete predominate and the shop is also local showcase for Branch Studios work. There is a small area for plants, and there are espalier, planted containers, window boxes and boxwood throughout.
With the onslaught of big box stores and garden centers with little imagination beyond piling on the plants and pots, shops like this one stand out. Some will gripe about high prices, but you get what you pay for and if you value great design and beautifully made objects this shop is a must.
I bought something which is rare for me. Handmade steel fiddleheads were totally affordable and a grouping of several in three different sizes of them are going in my new shade garden this fall. They came beautifully packaged the day after I came home. The high level of customer service and attention to detail isn’t lost on me either.
This image pretty much sums up how much I liked the shop and it’s not the only reason to visit Detroit as you will see in future posts!
Seven years ago, I just showed up in Philadelphia one day. I didn’t know anyone except the person I was with. I walked into a room of 200 strangers and sat down. By lunch time I had introduced myself to a handful of those strangers, all of whom did what I did, many of whom I admired. I walked with them in the 100+ degree heat throughout Philadelphia chatting and visiting gardens.
I asked questions, I listened, I visited gardens and I was welcomed in a way that few other groups of people had ever welcomed me. Philadelphia was my first Association of Professional Landscape Designers conference and just by showing up I found kindred spirits who spoke my language, laughed at goofy work related jokes and actually listened to my opinions and found value in what I had to say. All I did was show up. I was asked at that first conference to help start a New Jersey State Chapter.
From that first experience I worked behind the scenes to help elevate my profession through the only group that represented landscape designers. Not garden designers or landscape architects, they’re somewhat different, although some also call themselves landscape designers. Two years later I submitted my (at the time) best built work for APLD’s peer review certification process.
Being certified upped my game further. Not only did the process validate my work, my clients all asked what the fancy new letters were after my name in my correspondence with them when I passed the muster. It was also a way for me to personally and professionally elevate the profile of my profession. I joined the national association’s Awards Committee. Another year later I was asked to serve as Membership Chair on the National Board of Directors.
In Philadelphia, I just wanted to see what it was like and to visit a few gardens. I was curious. I wanted a professional community. Now seven years later, crisscrossing the country, attending APLD’s annual landscape design conferences I have met and talked to hundreds of other designers…all of whom showed up too.
What I now know is how valuable this community is to me personally as well as our profession at large. In 2014, I will be the President of APLD ushering in what I hope will be changes that will continue to elevate our profession and help it navigate the profound changes that will occur to the land we live and work on as well as how we define landscape design in the 21st century. I never thought this would be the case–all I did was show up.
I’ve seen rumblings of an unexpected garden color trend. We love pink flowers in our beds and borders, but not so much in other areas. Maybe it’s just too gender charged, maybe it’s just too unexpected, but for whatever reason it we don’t use it. For those in the know, like Steven Elton of Brown Jordan, who I heard speak in Chicago two weeks ago, pink garden accessories and furniture was an emerging trend in the European markets. Actually, if you follow trend forecasting, pink has been bandied about for a few years. So I decided to explore the possibilities…in the pink!
Pink walls in bold graphic stripes make a dreary courtyard pop with unexpected color. The pink is picked up in the table settings.
The reintroduction of Schiaparelli to the market next season makes a stylish case for pink.
Her famous ‘Shocking Pink’ may seem that way in the garden, but it’s really not. It can be dreamy and restful also.
Or it can make a big energetic and contemporary statement.
Some pinks to try painting a fence or garden wall. Left to right: Farrow and Ball/Cinder Rose No. 246, Behr/Fuschia Kiss 100B-6, and Benjamin Moore/Hot Lips 2077-30.
Here’s a corresponding Pinterest In the Pink inspiration board that just makes me happy!
After a trip, sometimes I don’t see nuggets of ideas until I look at my images. I chose the shots after all, so there is some vague through line. So here goes.
When I was in Chicago two weeks ago (was it that long?) some friends and I visited the Cuneo Mansion and Gardens. The landscape or what’s left of it, is very formal and was designed by Jens Jensen early in his career and didn’t really have his signature prairie style imprint. What interested me more than that, if you view my images were two flooring patterns. One inside the house on the second floor and the second on a small balcony off a bedroom.
The second floor pattern in the house incorporated varying squares of granite, terra cotta and glazed squares. It was worn and beautiful.
A small balcony- in disrepair and shot through the locked screen door–off a guest room incorporated the same patterned glazed squares and bluestone. Getting closer to my outside design inspiration.
A small central medallion or an entire pathway could be created using these tiles…but finding frostproof ones? That didn’t happen until a few days later in Detroit when I visited Penwabic Pottery. I bought two stoneware house numbers that are frostproof and meant for outside use to experiment with.
I’m going to make an address stepping stone or wall piece that combines those numbers with a previous and different trip’s inspiration – the inlayed street markers in New Orleans. They fascinated me when I was there and have stuck with me in the inspiration memory banks.
I’m not sure yet if what I make will be brick (a sub for terra cotta) and bluestone or bluestone and granite–both will go with my early 20th century cottage. Somehow all of this inspiration adds up if I let myself be free enough to connect the dots. I’m sure there will be a pathway or a medallion in a client’s future garden once I get the technique down in mine.
I’m still in Detroit and processing everything I’ve seen so far. I was lucky enough to spend a few days with landscape designer Deborah Silver and her dog and human partners before the 2013 APLD Landscape Design conference started. One of the highlights was a side trip to Branch Studio where Buck Moffat and his crew of metal workers bend, shape, stamp, laser cut, weld, rivet, galvanize and patina steel into a variety of extraordinarily beautiful handmade containers and garden accessories–all dreamed up by Deborah. Attention to detail and the care given to each piece marks them as objects of beauty unto themselves. That we can have them in gardens when there is so much of the opposite out there is in itself a luxury for a designer. For someone who values fine craftsmanship and classic beauty, the containers and and architectural features created at Branch are worth their price.
Planters on the workroom floor are above. Below the same planters designed by Deborah and planted up in downtown Detroit.
I started out my professional life as a metalworker so the melding of landscape and metal in this particular environment was fascinating for me. It was the best of both worlds.